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It's the end of the world in Deep Impact |
Director: Mimi Leder
Cast: Robert Duvall (Captain Spurgeon “Fish” Tanner), Téa
Leoni (Jenny Lerner), Morgan Freeman (President Tom Beck), Elijah Wood (Leo
Biederman), Vanessa Redgrave (Robin Lerner), Maximilian Schell (Jason Lerner),
James Cromwell (Alan Rittenhouse), Ron Eldard (Commander Oren Monash), Jon
Favreau (Dr Gus Partenza), Laura Innes (Beth Stanley), Mary McCormack (Andy
Baker), Bruce Weitz (Stuart Caley), Richard Schiff (Don Biederman), Betsy
Brantley (Ellen Biederman), Leelee Sobieski (Sarah Hochtner), Blair Underwood
(Mark Simon), Dougray Scott (Eric Vennekor)
Sometimes two Hollywood studies have the same ideas at the
same time. When this happened in 1974 they clubbed together and turned two
scripts about burning skyscrapers into one movie – The Towering Inferno. But it’s more likely they’ll do what happened
with volcano movies in 1997, White House invasion movies in 2013 and asteroids movies
in 1998: both make a film and rush to be the first one out. Usually that’s the
winner (ask Dante’s Peak or Olympus Has Fallen). The exception was Deep Impact which made plenty of moolah –
but was trumped by Michael Bay’s thundering Armageddon,
with its far more straight-forward feel-good action.
A meteor is heading towards the Earth – and it’s an
Extinction Level Event (ELE) that will wipe out all life on Earth. World
governments keep it hushed up, wanting to avoid mass panic, and start planning
to preserve mankind. Underground “arks” will be built in major countries to
protect a small number of population. And a manned space mission, crewed by a
team of young bucks and veteran astronaut Spurgeon “Fish” Tanner (Robert
Duvall), will head out to the asteroid to try and use a nuclear bomb to blow it
up. However news leaks when intrepid young MSNBC reporter Jenny Lerner (Téa
Leoni) stumbles on news of a cabinet resignation, over a mysterious “Ellie”, leading
to her accidentally uncovering the meteor. President Tom Beck (Morgan Freeman)
announces all to the world – and mankind prepares, in hope, for the disaster.
Deep Impact is a
well-mounted and surprisingly thoughtful adventure story, that tries to deal with
its Earth-ending themes with a seriousness and humanity that’s a world away
from the flag-waving crash-bangs of Armageddon.
Well directed by Mimi Leder, who juggles effectively huge special effects and
low-key personal stories (even if these have the air of movie-of-the-week to
them), it’s an ensemble piece with a surprisingly downer ending (no surprise
from the poster) that still leaves more than a touch of hope that mankind will
persevere.
It’s poe-faced seriousness about reflecting on the end of
the world may be dwarfed now by superior TV shows – it’s hardly The Leftovers – but felt quite daring
for a 90s blockbuster, at least trying
to be some sort of meditation on the end of the world. While the film does do
this by focusing on the most mundane of soapy dramas – will Jenny Lind (Téa
Leoni in a truly thankless role) manage to reconcile with her estranged father
(Maximilian Schell, a bizarre choice but who manages to rein in most of the
ham) who walked out on her and her mother (Vanessa Redgrave, if possible an
even more surreal choice) before the world ends – at least it’s sort of trying.
Soap also soaks through the storyline about young Leo Biedermann
(Elijah Wood), the geeky wünderkid who discovers the asteroid. The drama around a
national lottery to select the chosen (very) few who will join the 200,000
essential scientists, artists and politicians in the bunker is boiled down to
whether Leo will be able to sneak his girlfriend (Leelee Sobieski) and her
family on the list. Needless to say, this plotline boils down into a desperate
chase, some heroic sacrifices and a great deal of tears. This sort of stuff
doesn’t re-invent the wheel, but it makes for familiar cinema tropes among the
general “end-of-the-world” seriousness.
There isn’t much in the way of humour in Deep Impact, perhaps because those
making it were worried cracking a joke might undermine the drama. There’s
nothing wrong with this, but you start to notice more the film’s “not just
another blockbuster” mindset being warn very firmly on its sleeve. The film’s
third major plotline, around the mission to blow up the asteroid, is as much
about whether grizzled, wise vet Robert Duvall will win the respect of the
dismissive young bucks he’s crewed with (spoilers he does) as it is whether
they will destroy the meteor. Anyone who can’t see sacrifices coming here btw,
hasn’t seen enough films – but these moments when they come carry a fair
emotional wallop, partly because the film never puts its tongue in its cheek.
It’s a film proud of its scientific realism, which makes it
slightly easy to snigger at the sillier moments – especially when it takes itself
so seriously. An astronomer (played by The
Untouchables luckless Charles Martin Smith) drives to his death racing to
warn the authorities (why not just call them from his office eh?). The
astronauts, for all their vaulted training, hit the meteor surface with all the
blasé casualness of high-school jocks. Jenny’s journalistic investigation is so
clumsy and inept, it’s hilarious watching the President and others assume she’s
way more clued up than she is (this also comes from a time when Jenny could key
in “E.L.E.” into the Internet and get one
result – I just tried it and got 619
million. Simpler times).
I’ve been hard on this film, but honestly it’s still a very
easy film to like. Sure it’s really silly and soapy but it takes itself
seriously and it wants to tell a story about people and human relationship
problems, rather than effects, which is praiseworthy in itself. The best
moments go to the experienced old pros, with Duvall rather good as Tanner and
Morgan Freeman wonderfully authoritative as the President (it was considered
daring at the time to have a Black President). The special effects when the
meteor arrives (spoiled on the poster and the trailer) are impressive and while
it’s easy to tease, you’ll still welcome it every time it arrives on your TV
screen.
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